One tool, the whole journey

Immediate floor. Deep ceiling. The same booth.

Immediacy is the starting point, not the limit. You begin playing visuals like an instrument and end up directing a festival show — without switching software or rebuilding your set.

Immediate

Drag in your videos, fire them on the beat and the engine reacts to the music. The AUTO carries the section if you want hands-free. You're live in minutes.

Deep

Timeline, A/B scenes, FX chain, macros and a show-runner cue list. The depth of a live console — when you need it, not before.

No wall

The set you opened the club with is the same file you map onto the festival facade. Your work doesn't get left behind when you level up.

What truly sets you apart

Editable video mapping, reproducible booth, real WYSIWYG.

We don't sell extra effects. We sell live control that repeats exactly every set, and a single master you see exactly as it goes out.

Immediate video mapping

A photo of the stage, four corners, and your video lands on the surface. ASSISTED trace, step by step — you command every vertex.

Assisted · not AI

Reproducible booth

You play, it's recorded, you refine it. Last night's improvisation becomes a show that fires the same way for the rest of the tour.

Real WYSIWYG

The preview is the output, at 60 fps. What you see in the booth is exactly what reaches the projector. No surprises in the master.

It reads the booth

Your visuals don't guess the tempo. They read it off the decks.

No mic in front of a speaker and no tapping along. Plug into the booth and the visuals already know the tempo you're actually playing — pitch fader included — where you are in the bar, and what's on each deck.

LumaDeck Pro reading the booth live, with the decks and their tempo on screen — Reading the booth in a live set. **Built and proven against real booth hardware** — not simulated, not a demo.

The tempo you're really playing

Not the track's nominal BPM: the one actually coming out, pitch fader included. Nudge the tempo and the visuals move with you, in the same instant.

It lands on the one

It knows where you are in the bar. That's the difference between a cut that lands on the one and a cut that lands almost right — the one the floor feels without knowing why.

It knows what's playing

Not just the beat — the track. Your show can change with the tune you just dropped, not merely with its pulse.

See it before you're there

The stage, in 3D, playing your real output.

Model the venue in your 3D tool of choice, drop the file in, and every screen on that stage shows its own feed — the actual signal, not a placeholder. You prepare the show at home and arrive knowing how it lands.

Stage view inside LumaDeck Pro: LED walls and booth front in 3D, each playing its own live feed, next to the master output — The Stage view inside the instrument: side walls, main screen and booth front, each one playing **its own real feed** — and the master output right there beside it. Surfaces are built for you with the true proportions of the venue.

When the show has already started

Everyone sells you the effects. Nobody sells you the 2 a.m. part.

A visual tool is judged on one night, in front of people, with no second take. So the work went where the fear is: what happens if it crashes, if you touch the wrong pad, if the room isn't the room you rehearsed in.

It gets back up on its own

If it goes down mid-set, it relaunches itself and comes back with your show, in about eleven seconds. Not a promise — we killed it by hand to time it.

Pre-flight check

Before doors open it walks the list for you: media present, VRAM, projectors, free disk, screen refresh. You find out at soundcheck, not on the drop.

Show mode

A latch for the set: an elbow at 2 a.m. no longer wipes a pad. Play everything, break nothing.

The venue, saved

You calibrate a room once and keep it. Next time you play there you load the venue and the instrument sets itself up — screens, outputs, the lot.

In time with the room, not the desk

Sound takes time to cross a room. You dial that in and the visual lands with the hit the crowd hears — not the one the desk captured. Nobody at the back sees it late.

Honest meters

Frame rate, VRAM and decoders on screen the whole time — and if it can't keep up it tells you instead of quietly lowering the quality. Stability you can see, not assume.

Plug into the chain of command

Being pro isn't having more effects: it's joining the show's network.

On a big stage nobody works alone. LumaDeck Pro speaks the language of the booth, the lights and the timecode desk, so your video is part of the show and not a patch on the side.

Reads the DJ booth · tempo, phase, 4 decks Ableton Link MIDI clock in / out MIDI Timecode (MTC) LTC / SMPTE in Art-Net in / out DMX sACN E1.31 in OSC NDI out Stream Deck MIDI controllers, plug-and-play

One clock, one truth

Booth, timecode desk or your own tap: you pick who's master and everything else follows. No two clocks arguing mid-set.

Lights from the video

Art-Net and DMX out: tint the fixtures with the colour of your master in real time. Video and light, as one.

Launch day

And there's more in here than we're showing.

Everything on this page is built and running today. There's another piece we're not putting on a web page yet — it's finished, it's been tested, and it's the reason we're taking this seriously. Big surprises on launch day, and whoever owns it gets them on day one.

The deal

You buy it. You don't rent it.

This corner of the industry has been drifting to subscriptions and yearly renewals for a while now. We're not going there. One payment, and the instrument is yours — no monthly fee that can cut your show, and no renewal to keep what you already bought.

249€

VAT included · one-time payment · perpetual license

The full engine, forever — bought once.
1 year of LumaDeck web Pro included — buy with the same email as your LumaDeck account and it lands on it.
Local-first: works offline, your shows are yours.
If it ever expires, your show still opens and plays the same. Never a watermark over what you already paid for.

Secure payment with Stripe. You receive your signed license by email. Supports Linux and Windows.

Want to try it first? Free gives you the real instrument live — 3 channels, one output, watermark on. What it doesn't do is let you save or load a show, or record the output. Play a whole night with it if you want: free doesn't cap what you can do on stage, it shows you how far this goes.